SMALL PO_TIONS #1
A small collection of poetry with poems by Samar Abulhassan, Jeanne Heuving, Christina Montilla, Travis Sharp, and Maged Zaher. Printed on a scroll and bound into a glass vial. Published by Letter [r] Press in 2016.
A small collection of poetry with poems by Samar Abulhassan, Jeanne Heuving, Christina Montilla, Travis Sharp, and Maged Zaher. Printed on a scroll and bound into a glass vial. Published by Letter [r] Press in 2016.
THE CARGO PANTS POCKET ANTHOLOGY OF PEER REVIEWED ARTICLES
A small chapbook, a faux anthology, and a collaboration between Travis Sharp and the [r] editorial collective, Sarah Baker, Laura Burgher, and Tracy Gregory. A revision to the Pocket Anthology of Peer Reviewed Articles (Letter [r] Press, 2015), this anthology is sized to fit into a cargo pants pocket. Published by Letter [r] Press in 2017.
A small chapbook, a faux anthology, and a collaboration between Travis Sharp and the [r] editorial collective, Sarah Baker, Laura Burgher, and Tracy Gregory. A revision to the Pocket Anthology of Peer Reviewed Articles (Letter [r] Press, 2015), this anthology is sized to fit into a cargo pants pocket. Published by Letter [r] Press in 2017.
FEARHEAR GESTHARE URESHARM HEREHIRE
A small chapbook released as part of the 1000|words|as|image poetry exhibit at Gallery 1412. Curated by aether inK, an Seattle-based art group run by Kat Seidemann.
A small chapbook released as part of the 1000|words|as|image poetry exhibit at Gallery 1412. Curated by aether inK, an Seattle-based art group run by Kat Seidemann.
POTENTIAL X FOR X DEGRADE
An artist's book accompanying a prose piece of the same name, later published in ink&coda; the originary text is translated repeatedly through a series of experimental translations (visual-thematically, homolexically, through Google Translate, Google Search, through letter scrambling, through image, through sound) until the original text's form, content, and meaning have all degraded and/or been transformed.
Hand-sewn and perfect bound in an edition of 10.
An artist's book accompanying a prose piece of the same name, later published in ink&coda; the originary text is translated repeatedly through a series of experimental translations (visual-thematically, homolexically, through Google Translate, Google Search, through letter scrambling, through image, through sound) until the original text's form, content, and meaning have all degraded and/or been transformed.
Hand-sewn and perfect bound in an edition of 10.
GLOSSOLALIC
Poetry of sense and nonsense, comprehensibility and incomprehensibility, holes and scatterings, an addiction to nonsense and to not being understood.
Hand-sewn in an edition of 5.
Poetry of sense and nonsense, comprehensibility and incomprehensibility, holes and scatterings, an addiction to nonsense and to not being understood.
Hand-sewn in an edition of 5.
BRIEF HISTORIES OF THE SOUTH
Appropriating images from online historical databases of the town of Gurley, AL and mixing them with poetry, fictions, biographies, and autobiography, Brief Histories of the South is an attempt to engage with the ideas of mixing and crossing art and self in the politically and emotionally complicated histories of family and ancestry.
Hand-sewn in an edition of 20.
Appropriating images from online historical databases of the town of Gurley, AL and mixing them with poetry, fictions, biographies, and autobiography, Brief Histories of the South is an attempt to engage with the ideas of mixing and crossing art and self in the politically and emotionally complicated histories of family and ancestry.
Hand-sewn in an edition of 20.
THE EYEWITNESS: A POST MODERN PHRENOLOGY
Text from Eyewitness to America, an anthology of eye-witness and journalist accounts of historical events, is erased, fragmented, and assigned to different sections of a phrenology chart: the eye-witness, the journalist, the act of witnessing, the illusion of truth of witnessing, and historical selectivity are here associated with different parts of the brain and are indicators of the self-type. The text is accompanied by collages of images from the Harter's Picture Archive for Collage and Illustration.
Hand-sewn in an edition of 1.
Text from Eyewitness to America, an anthology of eye-witness and journalist accounts of historical events, is erased, fragmented, and assigned to different sections of a phrenology chart: the eye-witness, the journalist, the act of witnessing, the illusion of truth of witnessing, and historical selectivity are here associated with different parts of the brain and are indicators of the self-type. The text is accompanied by collages of images from the Harter's Picture Archive for Collage and Illustration.
Hand-sewn in an edition of 1.
